hailing from the london rat race, mux step forward with the first release on teenage father and lay their distinctive style out for all to witness. their broad-reaching indie rock sound has undertones of electronica, grunge and a very british swagger that deserves to get them onto radio playlists and festival line ups aplenty. -mdma- rumbles along somewhere between soulwax, kasabian and queens of the stone age, while -teenage father- ups the intensity with a punky thrum behind the raucous guitars and grinding synths, and then -stray- finds the band mixing up the time signatures for the most adventurous cut on the record.

see double, the london based imprint headed by luca cazal and brigante, returns for its fifth outing, a three track ep from boris werner titled badabing badaboum. a club-ready package and staple of werner s recent sets, sd005 once again proves this amsterdam locals deep knowledge and understanding of how to move a dance floor. played by seth troxler and richy ahmed amongst others and tried and tested by both label boss cazal and werner on dc10s terrace throughout this summer, title track badabing badaboum is a bonafide club smasher. leading the charge with a hypnotic bell riff alongside a chugging 4/4 pulse, werner keeps a driving pace as sluggish and evolving low end theory enters the fray. a deftly constructed, energy filled arrangement progresses before indiscernible, tribal vocal chants take the fore, trading blows with a modulating acid bassline. on the flip werner delivers you snooze you looze, a tech-infused cut adorned with rolling subs, clinical percussion and a head-snapping rhythm. phased synthesis and dissonant sample work pushes the track into uncharted trippy territory, as processed vox stabs and crisp hi-hat patterns maintain momentum, leading to a deeply musical breakdown that offers a truly dynamic shift in mood. closing the ep is whooos in control, a lesson in atmosphere and groove, which sees spaced-out synths interplay with automated stabs. ethereal pads and warped fx float atop werners swung drum programming creating that perfect roller for those early morning moments. sd005 will be available soon in both digital and physical formats.

• all female outfit with a heavy dance floor version of nina simone’s “see line woman”, done in afrobeat style • co-written by tom brenneck (of the dapkings, the budos band and the menahan street band) • engineered by sydney mills of steel pulse • unreleased music from the vaults

tape / cassette incl dl code, ltd to 100!
hippie priest returns to argot to release his second album, see it through. having made great strides at dialing in his production and strengthening his songwriting since the release of gaia variants in 2016, the young champaign-based producer focuses his sophomore longplayer around a narrative approach. see it through is a day in the life of a lioness, says hippie priest, beginning with the soft ambience of waking up in the morning, leading up to an intense hunt in the middle, and into evening revelry and eventual slumber. the albums 11 tracks cover a large stretch of sonic ground to tell this story. its glowing opener, umbrella keeper gives way to widescreen stompers thorn and quicksand that clear the way for more contemplative moments like crystal or cherry blossom. one cant help but imagine a dramatic hunt while listening to are you okay? or carnivorous displays on desire. even tender scenes are possible with closers tanuki and tired lioness, gorgeous movements in which hippie priests melodic profficiencies shine brightest. second album from the up-and-coming young producer from central illinois.

repress 2017 >> paso is back on d.ko records !
following his tracks i never on d.ko01 that received support from many big artists such as larry heard, and jeep me up losange on d.ko04, the munich-bred boy comes back with 4 deep-jazzy tracks for his first ep.

copenhagen-based trio silent riders recently wowed us with their immersive neo-gothic full length album debut on music for dreams. now they are back with a remixed package aimed directly for the darkest of dancefloors. together with some top notch remixers, they are re-visiting their stand out track -i see you- as well as -shadows-, another cut off their self-titled album

nice price deal !!! slamming benga remixes !!

nice price deal !!! the audiowhores pick up two fresh young producers and thrust them into the limelight with this gorgeous new ep. three tracks are included to get your juices flowing, top sexy stuff for summer 2006

nice price deal !!! chunky and phunkin electrohouse bomb... limited white label

gacha bakradze returns to transfigured time june 2nd with a new ep, titled ‘i can still see you’. the ep includes five original tracks. photos on the cover is by a georgian photographer andro eradze.

the equally strong -taste and see- on the flipside provides the only lyrical reference to hawai (-mangos and papayas got flavors of their own-) while remaining in line with mehl s smooth west coast vibe - he hired two of chuck mangione s colleagues for the recording, guitarist steve o conner and horn player john rekevics.

brian abelson aka see other is one of the brightest talents in this field to emerge from new york in some time. he’s been honing and refining his style of brooding, purring, oscillating house rollers for some time. the final brew is humble mixture of low-slung smallville-esque house warmth, fred p level deepness and playful, tinkering wooden melodies that recall some of the finest work from the drumpoet community collective.
across this debut ep is a masterful grasp of the deep house template, with an array of hook-based elements that turn respectable raw bangers into transcendental experiences both at home and in the dance.
waitin is the modern classic, fallin is the party hammer, pushin is the soul & the feeling & the vibe, peter’s lament is the loving tender cuddle in a west coast hammock, change is the moody, sleep-deprived closer.

incl tucillo, jonny & travis remixes

back on the selector tip, nyc loft trax compiles another volume of really nice deep, chunky and funky grooves! the a side promises a great selection with the first two tracks by kick that funk & bonjour sounding like a 1990 s chicago meets paris reunion! the 3rd track by subtle approach is created using deep dirty sliced and diced samples blended to perfection: stellar work. then there is a totally different vibe on the b-side starting off with a brazilian house groove by dubrazil surely influenced by the maw sound no doubt! next blackdub s classic disco meets detroit piece -melodies of dub- gives us a bit of theo parish or kenny dixon jr. feeling, hot! the final track by pascal cordoba is jazzy groove touched by australia s dj freestyle, who is on the radar lately due to the jordan fields & roy davis jr. warehouse find of -the session- on nu jack city records. you should have all 8 of the nyc loft trax vinyl at this point if not, why not?

vinyl only release.

the xx legen ihr fulminantes drittes album vor!
das deluxe boxset enthält die vinyl-lp, eine bonus 12 inch, die album-cd, eine bonus-cd mit 3 extra tracks und video sowie 3 kunstdrucke.

the xx legen ihr fulminantes drittes album vor!
die vinyl-lp erscheint inklusive album-cd.

eye can see the darkness (in the end of the tunnel) is a shot of light in the dark cavern of a broken heart. blinded by the lights rips apart the heart-string orchestra rather than just pulling on the strings. a love ballad lost in the haze of the mid-summer, faded to blue and repackaged as a gentle and tender winter anthem. sharing the a-side with the lucid dreaming of jeremiah r on the drum-heavy remix.
on the flip, i am not him is a filter-squelching, bass-slapping meander into green haze territory, that finally erupts into a swagger of familiar detroit-channeled drums and steady faded pads. outernet grumbles up the black-hole cosmic radiation with an industrial-tinged number that plunges the depths of deep-space. proper growling and clanging synths to add the right amount of raw, just at the end.

alexis tyrel’s man in the sky introduces itself as a no-nonsense kick and riff driven track. although simple in nature, it is a bold and distinct. the track zeros in on the very memorable riff and the different adaptations of it that play throughout. changes in key, timbre and depth give this piece an eerie vibe in places and a funky vibe in others.

...it is the latest project from producer dark wave-techno / beyond /. inspired by the theme of terror, he reveals a deep, intimate and conceptual aspect of his sonic universe. an ep on vinyl 12, produced by his own label named urban legend record label. the result is a mystical journey through the darkest and desolated soul from the body corners, and the human mind, successively translated by crispy rhythms, lines synth disturbing and oppressive atmospheres. each track tells a chapter of the ritual search for an elusive promise of salvation through soundscapes and emotional devastated.

killer nyc house !!

harmonischer indie-dance aus new york zum zuhören und tanzen auf doppel-vinyl.

repress!! reissue of this 20y old timeless classic with new linkwood remix on the b-side. black vinyl pressing.

it is very difficult to present david duriez without writing an encyclopedic tome as its influence on the house music in france was decisive. since its inception in 1992, david released over a hundred records under his name, tens under various pseudonyms, mainly on vinyls on the most renowned labels like 2020vision, ovum, systematic, pokerflat, f communication, under the counter, stickman, crosstown rebels, the end, etc .. (the list is long, see discogs.com to be convinced) and as many remixes for some of the greatest artists (think moby, dj sneak, gemini, dj hell, llorca, telex, random factor, johnny fiasco, paul johnson, jori hulkkonen, ralph lawson, random factor, kenny hawkes or mr.c). founder of the label brique rouge and a whole galaxy of other labels, he participated in the creation of internationally recognized labels such as robsoul with phil weeks, freak n chic with dan ghenacia (from apollonia) or rz muzik. at a time when david had federated online the cream of the house producers via a forum (far and long before social networks), ivan smagghe had nicknamed him -the producer of the producers.- , a true house music activist, but most of all david duriez is a devastating dancefloor dj, he did several tours around the world and played in some of the biggest clubs in the world between 1995 and 2010. truly one of the most important players in the french electro scene, david is back on tracks after a few years hyatus. but don t call it a comeback because he has never really gone awol, he has been watching the scene and now he s back in the studio. you can expect a (very) long serie of releases for 2016, you have been warned!

nice price deal !!! schöner klassischer vocal house…plus r & b mix

after four top-class releases, envlp sets its 2016 return with john barera, the brooklyn artist that steadly drove its sounds through space and stars with blissful sonorities and elegant productions. after many records on labels as metters labels, john delivers a four track ep that brings a personal interpretation of the detroit sound elevated by john’s unique skills and strong personality.

stasis005 is another vinyl issue of elysia crampton s digital work, following stasis003, the bound adam 2011 7inch. it is the first pressing of the light that you gave me to see you, originally released under the name e+e. the arrangements were conceived between 2011 and 2012, and the l.p. was finally assembled in 2013, while the artist was homeless in los angeles, california. this edition also includes a previously unreleased bonus track, troll song, which originates from the same period. as with bound adam 2011, the art is by felix lee, and the master is by brandon hocura.

following his acclaimed north bend album of 2015, chris roman, known as 214, is back on shipwrec with the third in their series of single sided odysseys. a haze of bass descends for -i see what you did there-, a clipped drizzle of percussion falls before thick acid bars tremble into position. echoes, reverb and decay merge, groan and bend as the preconceptions of ambient, electro and techno are pulled apart. in one breath dense and complex, the next grooving and future funk dipped. an epic example of 214 s talent. single sided 12- with a silkscreen printed b side. limited to 250 copies on transparant vinyl.

ltd handstamped copies only !

the crate-digging credentials of psychemagik’s danny mclewin are well established. even so, he’s excelled himself with the first release on spacetalk, a joint venture with leng records’ simon purnell and paul murphy.
the trio have successfully worked together a lot over the last five years, with purnell and murphy releasing a string of superb collections, compiled by mclewin and psychemagik partner tom coveney. all three men were keen to continue this partnership, and have founded spacetalk to re-release long forgotten, little-known or overlooked music, as well as previously unheard archive material from some of the artists involved.
the label’s first release is as obscure as they come. morrison kincannon’s to see one eagle fly is stupidly rare, having initially been released by its’ creators as a private press record during the early 1970s.

awaiting vox low ep finally out on astro lab recordings, 3 originals tracks came with a remix by ivan smagghe on the b side

our next bomb by pablo bellegrini comes together with a massive remix by freedom b!

the first wolf ep was an absolute killer and is still selling the boys follow it up with another superb ep this time... repress 2015

die vierte single der 50weapons r.i.p.serie ist eine französisch polnische kollaboration zwischen bambounou und margaret dygas. die angesehene perlon-künstlerin debütiert mit ihrem minimalistischen gastbeitrag popular religions auf 50weapons, und wird dafür mit der wahl des perfekt dazu passenden bambounou abschiedstracks see you soon belohnt.

chupacabras originally from san antonio, tx, first started djing in barcelona, after sweating it out in the underground illegal party scene he became resident at sala neon at nitsa/apolo. actually living in new york, his music has a dusty analog style that nods towards the past while planted firmly in the present. presents his first solo 12inch ep through go finger.

as one of the most exciting talents rising out of the uk, there is no better time for dc-10 resident richy ahmed to team up with new yorks seminal house imprint, strictly rhythm, and release * cant you see ep*. opening with a hard-hitting 4/4 beat * cant you see* features a funk-laden walking bassline adding fluidity to the mix, calling on the sound of the 80s and bringing it in to the present day. analog synth sounds are peppered amongst bluntly cut vocal samples, drawing inspiration from the clinical elements of techno, yet retaining the groove that ahmeds work is rapidly becoming synonymous with. the eps second track is ahmeds remix of logics 1990 classic * the warning*. the originals acapella has been repurposed by ahmed, looming over the tracks driving percussive elements. with a low-slung bassline interchanging with sizzling hi-hats, the remix pulls the original away from its blissed-out roots and firmly into the warehouse, providing new meaning to one of the legendary strictly rhythm’s many classic club anthems.

as its name suggests *afromance i* encompasses luca cazals african ardor with upbeat vocals and a heady rhythm for an energetic cut of disco influenced analog techno. brigante proposes a couple of dj tools to the release. *kehinde tool* where the vox is chopped and raw sounding percussion joins a subtle sub-bass throb, as opposed to the more electronic tipped *taiwo tool* that enforces a playful hook and intricate drum work.

swedish producers mr. tophat & art alfie partner up to drop an intergalactic 2step rendition of luca cazals maya for a fidgety number that incorporates spacey synths and otherworldly chords. meanwhile on the flip spanish duo acid mondays deliver an infectious groove courtesy of convoluted percussion, mesmerizing synth licks and a purring bassline. tying things together brigante provides a rendition focused on undulating rhythms whilst vocal murmurs resound throughout the mix.

ilija rudmans classic *see* remixed by martin brodin and drop out orchestra.

tasteful nudes brings frankfurt-based producer janis into the fold for release number seven, you cant see me. a founder of the house is ok label and contributor to mirau and smile for a while, janis brings ravishing melodies and impeccable sound design to this three track ep. playful but pounding, the title cut featuring vocals by eva kruijssen teases listeners into a game of dancefloor hide-and-seek. meanwhile, tender love wraps dancers in fuzzy synth lines and hazy vocals by denise frickenschmidt, as a deep, creeping bass line warms their feet. the rustic majesty of es nestchle, strung with samples recorded in the family cottage, sets hearts aflutter with soaring strings and swelling melodies. the record artwork features an original photograph by chicago artist olivia coran

chicago s ultimate legend dj rush makes his debut on neuhian for the imprint s very second release with his amazing new single look and see . label boss and berlin s king daniel boon and his partners in crime marco remus and hupfeld are the remixers on duty, delivering 3 mind-blowing reworks ready to cause some hands-on-the-air action and bring some massive damage on the dance floors. put your dancing shoes on, listen, look, see, feel and dance

uber recordings latest release see the legendary bing ji ling make an appearance. see me through featuring the sweet vocals of diane birch is a sunkissed slice of california soul. a beautiful heartfelt love song oozing quality

see double is the new offshoot of luca cazal & brigantes highly acclaimed double drop label. *maya* see doubles debut release by luca cazal, is a live 909 workout combining other-worldly vocals with detroit inspired string stabs and was recently featured on richy ahmeds radio one essential mix. check out the killer dub on the flip as well.

session victim love what they do. the pure joy they get from writing, producing and performing their unique blend of underground dance music oozes from their very pores, translating into pure good vibes for anyone witnessing the duo in action. as a label, we couldn’t be more proud to see their growth and development from a couple of self confessed semi-reclusive studio geeks into the globe-trotting djs and headlining live-act they have now become. with their second lp for delusions of grandeur about to drop it is easy to hear their constant drive to push themselves emanating from their new material.

as we have come to expect, pluie/noir again challenges what can be achieved within the parameters of dance music by empowering its carefully selected epertoire of artists. as standard, the album will come as a limited pressing, this time around of transparent green vinyl, with a beautiful hand-drawn black and white artwork cover, ensuring this is as collectible as it is listenable.

hamburg-berlin duo hauke freer and matthias relling aka session victim return to delusions of grandeur with their second long player, see you when you get there .

after playing some of sage caswells exclusive tracks as part of their live set, it only seemed right for brooklyn trio archie pelago to welcome sage to the family. it all started with ap including *buyerside* in their resident advisor mix, which ended up getting remixed by them for this very release, making sure that their personal touch is left on every archie pelago music record.